When Igor Stravinsky, inspired by the 18th-century prints of William Hogarth’s The Rake’s Progress, approached poet W.H. Auden for a libretto, one of the greatest opera collaborations came into being. Joined by Auden’s partner, Chester Kallman, the two men of words created a quirky parable in rhyme that Stravinsky fired up into some of his most striking, theatrical, and often tender music.
Tom Rakewell, egotistical and spendthrift, is lured away from the countryside and his faithful sweetheart Anne Truelove to London. He has been tricked by Nick Shadow, a Mephistophelean man, who introduces him to a new life of brothels, money-making scams, and debauchery. Where will it lead? Stravinsky’s last Neo-Classical work weaves Classical pastoral, the Faust legend, fairy tale, circus, and the Bible, with hints of Mozart, Handel and Monteverdi. The Rake’s Progress is Stravinsky at the height of his powers and is the perfect introduction to his genius.
This acclaimed semi-staged performance was recorded on 22rd March 1997 at the Royal Festival Hall, London.
Presented by Kate Molleson in conversation with Professor Jonathan Cross of the University of Oxford.
Anne Trulove . . . . . Joan Rodgers (soprano)
Tom Rakewell . . . . . Barry Banks (tenor)
Father Trulove….. Philip Ens (bass)
Nick Shadow….. William Shimell (baritone)
Mother Goose…..Susan Bickley (mezzo)
Baba the Turk…..Jane Henschel (contralto)
Sellem the Auctioneer: Robin Leggate (tenor)
Keeper of the Madhouse: Henry Waddington (bass)
BBC Singers
BBC Symphony Orchestra
Sir Andrew Davis (conductor)
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